Performance by Bella Bram and Livia Rauch a.k.a. Bohnengesellschaft: Been there (2024), wood, metal, ceramic, and other elements. Here you see Bella and Livia planting a time capsule containing queer archive material on site, Dragoner.02––Super Contemporary Arts Fest, Berlin 2024

Talk and panel discussion about Future Public Spaces, w. Toni Karge and Luïza Luz, moderated and curated by Agnessa Schmudke and Sophie Korschildgen, Pollinator Pathmaker: Summer Programme, inside the LAS Edition of Alexandra Daisy Ginsberg's Pollinator Pathmaker in front of Museum für Naturkunde Berlin, LAS Art Foundation, 2024. Photo Moritz Weber

In KIN (12099), Juliane Tübke presents imprints of found objects from the industrial area of Tempelhof-Ost. Using experimental casting techniques, she lets the materials' inherent properties shape the texture and color of each clay impression. The resulting installation forms a painterly composition that reinterprets these discarded objects, granting them new aesthetic and symbolic meaning. Through these material traces, the work reflects on the past life of a once-thriving urban area while questioning how waste shapes and transforms its surroundings. Ultimately, it positions discarded matter as an active agent within an unstable ecosystem. Installation view, Dragoner.01––Super Contemporary Arts Fest, Berlin 2023